BIOGRAPHY

Blending the Mediterranean strains of Flamenco with sensual Arabic harmonies, Ishtar Alabina has been making its mark on both sides of the Atlantic as a million copy seller of a highly charming musical blend one might call ’the Rumba from the Desert’, and It’s singer ‘the Queen of the Middle East’.

The Beginning…

Born in Israel, Ishtar Alabina was raised by an Egyptian mother and a Moroccan father with Spanish roots. She and her two sisters spoke both Arabic and Hebrew and were surrounded by music from an early age. Ishtar appeared to have inherited her family’s musical talent. She got her stage name from her grandmother after the ancient Persian goddess of fertility whose headless statue is designed to make one’s dream about the perfect woman.

First Steps…

When Ishtar Alabina began performing professionally in her country, she was only 14. At the age of 20, she visited a number of countries including Australia and boosted her traveling funds by performing in local clubs. Ishtar’s vocal talent and passion for music, not to mention her stage charisma and beauty, made her an instant hit with audiences worldwide. “As the world gets smaller, it’s easy to imagine the kind of international artist, whose music has no borders, is unchallenged by exotic idioms and unfazed by foreign dances. My music is the music of the past, updated for the present and future.”

On her return trip to Israel Ishtar stopped off to visit a friend in France. This visit proved to be a turning-point in her personal life and career, for Ishtar fell in love with France and decided to make it her home. The singer wasted no time in getting her music career up and running abroad, working as a backing singer for a host of well-known artists including the group Kaoma (famous for launching the “Lambada” craze), Tonton David and Julien Clerc.

The Key Encounter…

But Ishtar’s big breakthrough came when producer Charles Ibgui came to see her in concert. Impressed by Ishtars extraordinary voice, he introduced her to a group of Gypsy, Los Niños de Sara, who had honed their musical talent playing with several major. Ishtar became the group’s frontwoman and, under the name Alabina, the fivesome went on to create a catchy multi-cultural fusion sound mixing Arabic, Spanish, Hebrew, French and Gypsy music with lyrics in Arabic, Spanish, English, Hebrew and French. Alabina’s multi-cultural fusion sound was laid over electro beats which gave the group’s music a strong dance feel and won them instant popularity on the international music scene. Needless to say, Alabina’s ‘Oriental pop’ was soon crossing linguistic and geographical borders and shooting up charts around the world.

The Tours of Succes

The singles, ‘Alabina’, ‘Ole y Ola’ and ‘Habibi de Mis Amores’ encountered a hudge success. Alabina’s dance-influenced covers of traditional Arab classics seemed to appeal to music fans across the board. Indeed, the group appeared to have hit upon a successful formula for crossing cultural and religious divides. Alabina owed much of their multi-cultural success to their charismatic frontwoman, who remained something of a mystery. Enthusiastic and exuberant on stage, Ishtar established an excellent reputation on the live scene. Within the six months of the release of their debut album, they performed in numerous famous French and American theaters, including :
- New Morning, Olympia and Palais des Congrès in Paris, France;
- Hammerstein, Beacon and Summerstage Central Park in New York;
- Greek Theater and Universal Theater in Los Angeles;
- Wolf Trap in Whashington;
- Alladin and Caesar’s in Las Vegas.

They performed in numerous countries worldwide (Spain, Russia, Italy, Israel, Armenia, Australia, Sweden, Africa, Greece, India, Mexico, Panama, Roumania, Poland UK and Brazil). Alabina performed for hundreds of thousands fans throughout the world . They also played the opening of the concert tour of Carlos Santana in France.

Alabina were soon back in the studio putting the finishing touches to their second album, ‘Sahara’, released in October ’98. The album quickly echoed the success of the first, making an impact on the charts in more than 20 different countries and reaching number 8 in Billboard's ‘Top World Music’ chart. ‘Sahara’ featured 11 tracks equally catchy.
Meanwhile, Alabina’s records continued to sell like hotcakes on the international music scene, different versions of their classics being made available in different countries. Their official album count has gone beyond two these days as variants of their original albums now exist (‘Sahara’ becoming ‘The Album II’ in several countries).

Then followed the release of Alabina’s compilation album, ‘L’Essentiel’ (which included a cover of the Jean-Jacques Goldman classic ‘Comme toi’ – and was featured in the compilation ‘Buddha Bar’),
In 2000 Ishtar released a new album, featuring her usual catchy mix of ‘Oriental pop’ and dance beats. She also continued in the multi-cultural vein, performing songs written by a host of famous French songwriters, Jacques Veneruso (who also produced the album), as well as Didier Barbelivien, Lionel Florence, and the Tunisian songwriter Hedi Jouini,
On December 2nd and 3rd Ishtar triumphed in Paris once again, hundreds of fans flocking to see her perform two special festive concerts at the Olympia. She then hit the road again for an international tour that took her around the world.
In 2002, Ishtar released a new album, ‘Truly’, where she combined for the first time her both native languages (Arabic and Hebrew) as an expression of her desire to believe in peace.

The Story Goes On…

In 2004, Ishtar recorded her fifth album in Paris, New-York and Turkey, which is to be released in mid 2005. In this album, Ishtar adapted Arabic music from her childhood with various strains of Spanish and Western Pop music.

 

 

DISCOGRAPHY

 

Je sais d'ou je viens (november 2005)

1. Sin Ti
2. Ragga Boom
3. Diki Diki
4. Aime la vie
5. Je sais d'ou je viens
6. Habibi (Sawah)
7. Dis le moi
8. Loin de ce monde fou
9. Fi Hawak
10. Yalla Yalla
11. Helwa Ya Baladi  
Ishtar Truly Emet (august 2003)

1. Lo Dai Baahava
2. Nasse Ve Tire
3. Daf Hadash
4. Ls'orech Ha Yam (duet with Ofra Haza)
5. Emet
6. Allahalek Ya Sidi
7. Ad Mahar
8. Aba
9. C'est La Vie My Baby (version anglalse)
10. Hozer Eleha
11. Last Kiss
12. Horchat Hai Caliptus  
    Ishtar The Voice of Alabina (november 2000)

1. Corps Étranger
2. Si Tu Ouvres Tes Bras
3. Horchat Hai Caliptus
4. Lamouni
5. En Qu'Un Ange Passe
6. Last Kiss
7. Yalla
8. Mille Et Une Nuits
9. Apprivoise-Moi
10. Depuis Qu'il M'aime
11. Où Tu T'endors
12. Je N'oublie Rien  
    The Album II (1998)

1. Salma a Salama (Arabic Version)
2. Y Mama Ya Mama (Spanish Version)
3. Me Encuentro en tu Desierto (Sahara)
4. Habibi De Mis Amores (Habibi Ya Nour El Ein)
5. Azima Leyla
6. Choukrane
7. Lolole (Don't Let Me Be Misunderstood) [English]
8. Somos Gitanos
9. Shir Ha'Keshet (The Rainbow Song)
10. Alabina Megamix
11. Baila Maria (New Version)
12. Ya Mama Ya Mama (Salsa Version)
13. Salma Ya Salama (Spanish Version)     Alabina (november 1996)

1. Alabina
2. Lolaï (Ya Habibi Ya Eyni)
3. Rona
4. Baila Maria
5. Lo Que Tu Dices (Harramt Ahebbak)
6. Yo Te VI (Ah Ya Zein)
7. Espero
8. Eshebo (Chebba)
9. Tierra Santa
10. Yo Te Quiero, Tu Me Quieres
11. Linda
12. Alabina [Spanish version]  
      DVD Tour 1997 - 2000 (2002)

1. Intro
2. Alabina
3. Salam, la paz al final
4. Lolaï
5. Eshebo
6. Vengan, vengan
7. Tierre santa
8. Shir ha' keshet
9. Choukrane
10. Baila Maria
11. End credit
INTERACTIVITE - Video clips, Interview, Karaoke

(only available in Europe)

   

 

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Ză Oan